1 00:00:01,335 --> 00:00:02,628 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,628 --> 00:00:04,505 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:05,673 --> 00:00:07,382 Claire: I SMELL FOOD. 4 00:00:07,382 --> 00:00:09,301 CLAIRE, NO! 5 00:00:09,301 --> 00:00:10,636 OHH! 6 00:00:10,636 --> 00:00:12,554 HOW'S CLAIRE? 7 00:00:12,554 --> 00:00:13,639 Woman: WE'RE LOSING HER! 8 00:00:13,639 --> 00:00:15,056 HOW'S CLAIRE? 9 00:00:17,852 --> 00:00:19,436 THIS WEEK, MARKS THE ANNIVERSARY 10 00:00:19,436 --> 00:00:20,771 OF JOE CARROLL'S DEATH. 11 00:00:20,771 --> 00:00:23,398 JOE CARROLL LIVES! 12 00:00:23,398 --> 00:00:26,151 Woman: PEOPLE OF NEW YORK CITY FEAR AS 5 PEOPLE ARE DEAD 13 00:00:26,151 --> 00:00:29,196 IN A BRUTAL SLAYING THAT OCCURRED ON A DOWNTOWN SUBWAY. 14 00:00:29,196 --> 00:00:30,197 LOOKS LIKE THERE'S A NEW CULT. 15 00:00:30,197 --> 00:00:31,782 WHO ARE THEY? 16 00:00:31,782 --> 00:00:33,074 Barry: RYAN TELLS ME YOU'RE LAW ENFORCEMENT. 17 00:00:33,074 --> 00:00:34,451 YEP. I'M A COP. 18 00:00:34,451 --> 00:00:36,787 - JUST MADE DETECTIVE. - WHAT AM I DOING HERE? 19 00:00:36,787 --> 00:00:38,914 LILY GRAY, THE WITNESS, ART DEALER, 20 00:00:38,914 --> 00:00:40,040 GALLERY IN SOHO, 21 00:00:40,040 --> 00:00:41,625 I TAKE IT YOU'RE RYAN HARDY. 22 00:00:41,625 --> 00:00:43,418 Ryan: I WANT NO PART OF THIS, MIKE. 23 00:00:43,418 --> 00:00:45,044 THIS IS OVER FOR ME, ALL RIGHT? I'M DONE. 24 00:00:46,755 --> 00:00:48,340 Max: DID YOU SHARE WHAT YOU KNOW WITH THE BUREAU? 25 00:00:48,340 --> 00:00:50,509 WHAT, THIS? THIS IS A HOBBY. 26 00:00:50,509 --> 00:00:51,886 ALL RIGHT, GUYS. WHAT DO YOU GOT? 27 00:00:51,886 --> 00:00:55,014 Mike: OKAY. ONE MATCH. CARLOS...PEREZ. 28 00:00:55,014 --> 00:00:56,640 YOU WERE IN HAVENPORT WITH JOE CARROLL. 29 00:00:56,640 --> 00:00:58,350 WHERE IS HE? 30 00:00:58,350 --> 00:01:01,061 I HAVEN'T SEEN JOE SINCE THE LIGHTHOUSE. 31 00:01:01,061 --> 00:01:02,437 I PICKED HIM UP ON THE BEACH. 32 00:01:05,232 --> 00:01:07,693 - WHAT HAPPENED? - RYAN HARDY SHOWED UP AT MY PLACE. 33 00:01:09,820 --> 00:01:11,697 Mike: HEATHER CLARKE. SHE LIVES IN THE BUILDING ACROSS THE STREET, 34 00:01:11,697 --> 00:01:13,323 WHERE SHE WAS KILLED AND MOVED HERE. 35 00:01:13,323 --> 00:01:15,075 I MEAN, THE MURDERS ON THE SUBWAY WERE A SPECTACLE, 36 00:01:15,075 --> 00:01:18,203 AN ANNOUNCEMENT. THIS IS A VERY SPECIFIC MESSAGE. 37 00:01:18,203 --> 00:01:19,872 WITH REGARDS TO THE SUBWAY MURDERS 38 00:01:19,872 --> 00:01:22,708 AND JOE CARROLL, I'M NOT INVOLVED. 39 00:01:22,708 --> 00:01:23,959 WELL NOW. 40 00:01:26,378 --> 00:01:29,048 "A WOMAN WAS FOUND IN THE PARK. 41 00:01:29,048 --> 00:01:31,050 "SHE WAS REPORTEDLY POSED WITH A COPY 42 00:01:31,050 --> 00:01:33,218 "OF THE GOTHIC SEA IN HER HAND. 43 00:01:33,218 --> 00:01:36,889 "IT IS BELIEVED TO BE THE WORK OF CARROLL'S CULT. 44 00:01:36,889 --> 00:01:38,515 "WHILE MOST HAVE BEEN APPREHENDED, 45 00:01:38,515 --> 00:01:41,060 AT LEAST 8 ARE STILL AT LARGE." 46 00:01:42,728 --> 00:01:44,145 MAMA'S UP. 47 00:01:44,145 --> 00:01:46,857 YES. YOU'D, UH, BEST PUT THAT AWAY. 48 00:01:49,359 --> 00:01:51,361 - MORNING. - MORNING. 49 00:01:52,362 --> 00:01:54,281 WHAT YOU TWO UP TO? 50 00:01:54,281 --> 00:01:55,908 LAST-MINUTE HOMEWORK. 51 00:01:55,908 --> 00:01:58,368 YES. HER PAPER IS COMING ALONG VERY NICELY. 52 00:01:58,368 --> 00:02:01,747 I THINK MISS GIVENS WILL BE VERY PLEASED INDEED. 53 00:02:04,499 --> 00:02:05,834 WANT SOME BREAKFAST, MY LOVE? 54 00:02:05,834 --> 00:02:06,877 JUST SOME COFFEE. 55 00:02:06,877 --> 00:02:07,920 HMM. 56 00:02:12,674 --> 00:02:14,509 WAS HE DOING YOUR HOMEWORK FOR YOU? 57 00:02:14,509 --> 00:02:15,886 NO, MA'AM. 58 00:02:15,886 --> 00:02:19,138 MM-HMM. GO ON. GET TO SCHOOL. 59 00:02:19,138 --> 00:02:23,268 BYE, MAMA! BYE, UNCLE DARYL. 60 00:02:23,268 --> 00:02:25,312 [SOUTHERN ACCENT] YOU HAVE A GOOD DAY NOW, MANDY HONEY. 61 00:02:27,272 --> 00:02:29,149 YOUR COUNTRY VOICE STINKS. 62 00:02:29,149 --> 00:02:31,526 I KNOW. I'M STILL HAVING TROUBLE WITH MY HARD Rs, 63 00:02:31,526 --> 00:02:34,195 BUT THE SPEECH PATTERNS THEMSELVES 64 00:02:34,195 --> 00:02:36,281 ARE REASONABLY COMPARABLE TO THAT OF THE REGION, 65 00:02:36,281 --> 00:02:38,033 ARE THEY NOT? 66 00:02:38,033 --> 00:02:40,744 [SOUTHERN ACCENT] WANT SOME GRITS AND EGGS WITH YOUR COFFEE? 67 00:02:43,413 --> 00:02:45,833 YOU BETTER NOT BE DOING HER HOMEWORK AGAIN. 68 00:02:45,833 --> 00:02:47,751 THAT GIRL AIN'T GONNA LEARN ANYTHING 69 00:02:47,751 --> 00:02:49,711 IF YOU'RE FILLING IN ALL THE BLANKS. 70 00:02:49,711 --> 00:02:51,170 YES, YES, OF COURSE. 71 00:02:51,170 --> 00:02:53,924 WE DON'T WANT THIS HOUSE TOO SMART, 72 00:02:53,924 --> 00:02:56,426 OR SOMEONE WILL COME SNIFFING. 73 00:02:56,426 --> 00:02:58,637 OH, NOT MUCH DANGER OF THAT, DARLING. 74 00:03:01,598 --> 00:03:03,767 YOU DIDN'T GET MUCH SLEEP. 75 00:03:03,767 --> 00:03:06,145 HEARD YOU UP ALL NIGHT WATCHING THE NEWS. 76 00:03:06,145 --> 00:03:09,439 OH, IT WAS A NATURAL CURIOSITY. 77 00:03:09,439 --> 00:03:12,026 IT WAS RATHER ALARMING SEEING 78 00:03:12,026 --> 00:03:14,569 THE MURDERS IN NEW YORK, YOU KNOW? 79 00:03:14,569 --> 00:03:18,448 - IT'S YOUR CULT, ISN'T IT? - NO, POSSIBLY. 80 00:03:18,448 --> 00:03:20,951 I HAVE REALLY NO IDEAS. 81 00:03:22,327 --> 00:03:25,622 YOU AIN'T GETTING ITCHY, ARE YOU, BABY? 82 00:03:25,622 --> 00:03:27,708 NO. OF COURSE NOT. 83 00:03:27,708 --> 00:03:29,877 ALL THAT IS BEHIND ME, YOU KNOW THAT. 84 00:03:31,210 --> 00:03:34,006 WE GOT A GOOD LIFE HERE, JOE. 85 00:03:34,006 --> 00:03:35,465 I DON'T WANT TO MESS IT UP. 86 00:03:35,465 --> 00:03:38,593 YOU ARE MY WORLD, MY SALVATION. 87 00:03:38,593 --> 00:03:41,596 - I OWE YOU EVERYTHING. - HEH. 88 00:03:43,473 --> 00:03:49,188 ♪...A BOTTLE OF GIN IS A ROSE OF A DIFFERENT NAME ♪ 89 00:03:49,188 --> 00:03:52,191 ♪ THE DEVIL MADE ME DO IT THE FIRST TIME ♪ 90 00:03:52,191 --> 00:03:55,027 ♪ THE SECOND TIME I DONE IT ON MY OWN ♪♪ 91 00:04:32,147 --> 00:04:33,440 Phillips: WHAT PHYSICAL EVIDENCE DO WE HAVE 92 00:04:33,440 --> 00:04:34,775 FROM HEATHER CLARKE'S PLACE? 93 00:04:34,775 --> 00:04:37,318 NYPD FOUND PRINTS ON HER BODY 94 00:04:37,318 --> 00:04:39,320 THAT MATCH THE ONES THE FOUND AT HER APARTMENT. 95 00:04:39,320 --> 00:04:41,656 PARTIALS SUGGEST THAT THERE'S MORE THAN ONE ASSAILANT. 96 00:04:41,656 --> 00:04:43,075 AND THE BUILDING SECURITY CAMERAS? 97 00:04:43,075 --> 00:04:44,284 INOPERABLE. 98 00:04:44,284 --> 00:04:45,284 THE PERPS WERE CAREFUL. 99 00:04:45,284 --> 00:04:46,870 THEY NEEDED TIME WITH HER. 100 00:04:46,870 --> 00:04:48,538 THEY SPENT THE DAY THERE, THEY COOKED BREAKFAST. 101 00:04:48,538 --> 00:04:52,000 THE NEIGHBORS HEARD LAUGHTER, MUSIC, MALE SINGING. 102 00:04:52,000 --> 00:04:55,879 - AND NO SEXUAL ASSAULT? - NO THIS ISN'T SEXUAL. 103 00:04:55,879 --> 00:04:58,590 IT'S AN INTIMATE EXPERIENCE UNLIKE THE SUBWAY MURDERS. 104 00:04:58,590 --> 00:05:00,300 THAT WAS THEATRICAL, AN ANNOUNCEMENT-- 105 00:05:00,300 --> 00:05:02,094 IT'S THE ANNIVERSARY OF CARROLL'S DEATH. 106 00:05:02,094 --> 00:05:03,678 THEY MISS THEIR FALLEN LEADER, 107 00:05:03,678 --> 00:05:04,846 AND THEY'RE LETTING THE WORLD KNOW, 108 00:05:06,681 --> 00:05:07,891 BUT THE GIRL ON THE PARK BENCH 109 00:05:07,891 --> 00:05:10,894 IS A SPECIFIC MESSAGE. 110 00:05:10,894 --> 00:05:13,981 THE GIRL READING ON A PARK BENCH. 111 00:05:13,981 --> 00:05:15,732 IT OCCURRED IN GWENDOLYN'S MEMORY 112 00:05:15,732 --> 00:05:17,276 IN CARROLL'S BOOK "THE GOTHIC SEA," 113 00:05:17,276 --> 00:05:19,027 WHERE CARROLL WROTE OF LONELINESS, 114 00:05:19,027 --> 00:05:20,904 ISOLATION AND SOLITUDE. 115 00:05:22,739 --> 00:05:24,449 YOU LOOK SURPRISED. 116 00:05:24,449 --> 00:05:26,493 I DID MY DISSERTATION ON CARROLL AT THE ACADEMY 117 00:05:26,493 --> 00:05:27,869 JUST LIKE YOU. 118 00:05:27,869 --> 00:05:29,288 NOW WHAT I DON'T UNDERSTAND 119 00:05:29,288 --> 00:05:31,372 IS WHY THEY HAVEN'T MADE CONTACT. 120 00:05:31,372 --> 00:05:33,458 I MEAN, THEY'VE GOT THE WHOLE WORLD WATCHING, 121 00:05:33,458 --> 00:05:35,585 AND THESE KIND OF MURDERS COME WITH BRAGGING RIGHTS. 122 00:05:38,630 --> 00:05:41,716 MY FACE IS ALL OVER THE NEWS. 123 00:05:41,716 --> 00:05:43,802 HOW DID THEY KNOW IT WAS ME? 124 00:05:47,346 --> 00:05:50,225 GUYS, I DON'T UNDERSTAND IT WHEN YOU SPEAK FRENCH. 125 00:05:54,479 --> 00:05:56,606 SOON. Mark: NOT SOON ENOUGH. 126 00:05:56,606 --> 00:05:58,025 YOU'RE IN A DATABASE. 127 00:05:58,025 --> 00:05:59,901 THERE WERE SURVEILLANCE CAMERAS IN THE SUBWAY-- 128 00:05:59,901 --> 00:06:02,779 HEIGHT, SIZE, BODY MASS, SIMPLE DEDUCTION. 129 00:06:06,200 --> 00:06:07,826 I'VE BEEN WATCHING IT. 130 00:06:07,826 --> 00:06:09,786 THERE'S NO MESSAGES. 131 00:06:09,786 --> 00:06:10,996 HE HASN'T CALLED. 132 00:06:13,748 --> 00:06:15,000 WHERE YOU GUYS GOING? 133 00:06:15,000 --> 00:06:17,376 Luke: SIGHTSEEING, HAVE SOME FUN. 134 00:06:17,376 --> 00:06:18,419 WHAT? NOBODY'S LOOKING FOR US, CARLOS. 135 00:06:18,419 --> 00:06:20,088 NOT YET ANYWAY. 136 00:06:20,088 --> 00:06:23,133 YOU, HOWEVER, ARE NOT TO LEAVE THIS ROOM, UNDERSTAND? 137 00:06:33,227 --> 00:06:36,897 CARLOS, LISTEN TO GISELLE. DO WHATEVER SHE SAYS. 138 00:06:36,897 --> 00:06:38,190 I DON'T UNDERSTAND HER! 139 00:07:10,805 --> 00:07:11,973 ALL RIGHT. THANK YOU. 140 00:07:14,726 --> 00:07:15,852 RYAN. 141 00:07:17,562 --> 00:07:20,440 - IT'S NICE TO SEE YOU. - YEAH, YOU, TOO. 142 00:07:20,440 --> 00:07:22,025 I WAS HOPING WE COULD TALK. DO YOU HAVE A MINUTE? 143 00:07:22,025 --> 00:07:24,861 OF COURSE. WHAT DID YOU WANT TO TALK ABOUT? 144 00:07:24,861 --> 00:07:25,946 IT'S ABOUT JOE CARROLL. 145 00:07:27,488 --> 00:07:28,615 OH. 146 00:07:37,124 --> 00:07:39,126 [OPERA PLAYING] I GOT IT. 147 00:07:43,088 --> 00:07:44,339 FISCHER RESIDENCE? 148 00:07:45,590 --> 00:07:47,050 THEY'RE LOVELY. 149 00:07:47,050 --> 00:07:48,843 - WHO ARE THEY FROM? - CARL FISCHER. 150 00:07:51,263 --> 00:07:52,264 THANK YOU. 151 00:07:53,890 --> 00:07:55,725 JUST GIVE ME A MINUTE, HMM? 152 00:08:03,275 --> 00:08:05,235 - EXCUSE ME? - YOU NEED TO SIGN FOR THEM. 153 00:08:07,737 --> 00:08:09,906 - SIGN WHERE? - HERE. 154 00:08:11,616 --> 00:08:14,119 AAH! AAH! 155 00:08:17,622 --> 00:08:18,957 HONEY? 156 00:08:22,210 --> 00:08:23,503 WHO ARE YOU? 157 00:08:25,505 --> 00:08:26,631 WHERE'S ALICE? 158 00:08:27,966 --> 00:08:29,134 UNH! HEH. 159 00:08:32,511 --> 00:08:33,763 TAKE CARE OF THE KID. 160 00:08:58,121 --> 00:08:59,956 Lily: THE FBI ASKED THE SAME QUESTION. 161 00:08:59,956 --> 00:09:02,000 AGENT WESTON WAS HIS NAME, I BELIEVE, 162 00:09:02,000 --> 00:09:04,002 BUT I NEVER MET JOE CARROLL. 163 00:09:04,002 --> 00:09:06,087 IS THERE A CHANCE THAT YOU DON'T KNOW THAT YOU KNOW HIM 164 00:09:06,087 --> 00:09:09,674 OR THAT YOU FORGET HAVING MET HIM? 165 00:09:09,674 --> 00:09:11,676 HE USED TO TEACH AT WINSLOW UNIVERSITY, 166 00:09:11,676 --> 00:09:14,595 GREW UP IN OXFORD IN THE U.K. 167 00:09:14,595 --> 00:09:17,057 NO. I'VE NEVER BEEN TO WINSLOW UNIVERSITY. 168 00:09:17,057 --> 00:09:20,560 I'VE BEEN TO OXFORD, BUT I'VE BEEN TO MANY PLACES. 169 00:09:20,560 --> 00:09:22,687 I LIVE IN PARIS HALF THE YEAR, GREW UP IN DENMARK, 170 00:09:22,687 --> 00:09:25,190 TRAVEL ALL OVER THE PLACE. 171 00:09:25,190 --> 00:09:27,234 WHY WOULD ANYONE THINK I KNOW HIM? 172 00:09:27,234 --> 00:09:29,110 WELL, YOU'RE THE ONLY SURVIVING WITNESS, 173 00:09:29,110 --> 00:09:31,446 SO IT'S STRICTLY JOB PROCEDURE TO ASK WHY. 174 00:09:33,740 --> 00:09:36,451 BUT YOU'RE NO LONGER WITH THE FBI, RIGHT? 175 00:09:37,744 --> 00:09:40,705 I SEARCHED YOU ONLINE. HEH. 176 00:09:40,705 --> 00:09:44,084 BEFORE YESTERDAY, I-I KNEW VERY LITTLE 177 00:09:44,084 --> 00:09:47,546 ABOUT YOU AND JOE CARROLL AND HIS CULT. 178 00:09:47,546 --> 00:09:49,089 I WAS ABROAD MOST OF LAST YEAR, 179 00:09:50,215 --> 00:09:53,009 SO I READ UP ON YOU. 180 00:09:53,009 --> 00:09:54,969 YEAH. I'M NO LONGER WITH THE BUREAU. 181 00:09:56,971 --> 00:09:58,390 BUT YOU CAN'T TURN IT OFF. 182 00:09:59,974 --> 00:10:02,727 WHAT'S HAPPENING, IT'S HARD FOR YOU. 183 00:10:04,354 --> 00:10:06,064 THERE'S A CERTAIN HELPLESSNESS IN IT ALL. 184 00:10:13,071 --> 00:10:14,573 YOU'RE AN INTERESTING MAN, RYAN. 185 00:10:21,621 --> 00:10:23,248 [LAUGHTER] WHOO! 186 00:10:28,878 --> 00:10:32,215 - MISS JUDY, YOU DO A MAN RIGHT. - HA HA HA! 187 00:10:34,008 --> 00:10:36,177 THANK YOU, REVEREND. 188 00:10:36,177 --> 00:10:37,429 SEE YOU ON SUNDAY. 189 00:10:43,602 --> 00:10:45,812 HEY, BROTHER DARYL. 190 00:10:45,812 --> 00:10:47,688 [SOUTHERN ACCENT] HEY, REVEREND. HOW ARE YOU TODAY? 191 00:10:47,688 --> 00:10:51,610 WELL, I FEEL LIKE I'VE GONE TO HEAVEN AND BACK. 192 00:10:53,278 --> 00:10:55,363 YES, SIR. 193 00:10:55,363 --> 00:10:57,782 YOUR SISTER IS A GOOD WOMAN, DARYL. 194 00:10:57,782 --> 00:10:59,909 YES, SHE IS. 195 00:10:59,909 --> 00:11:03,246 AND YOU? HOW ARE YOUR NIGHTMARES? 196 00:11:03,246 --> 00:11:04,664 PBBB. 197 00:11:04,664 --> 00:11:06,291 WAR HAUNTS A MAN, DARYL. 198 00:11:07,459 --> 00:11:08,793 WHEN YOU'RE READY TO TALK... 199 00:11:08,793 --> 00:11:10,337 THANK YOU, REVEREND. 200 00:11:10,337 --> 00:11:12,797 I'M SURE YOU SAW A LOT OF UGLINESS 201 00:11:12,797 --> 00:11:15,091 OVER IN AFGHANISTAN. 202 00:11:15,091 --> 00:11:17,676 IT'S NOT GOOD TO KEEP IT ALL BOTTLED UP INSIDE. 203 00:11:17,676 --> 00:11:19,678 I'LL BEAR THAT IN MIND. 204 00:11:19,678 --> 00:11:21,348 HERE. GIVE ME A PRAYER. 205 00:11:23,724 --> 00:11:25,143 HEH. 206 00:11:27,187 --> 00:11:28,855 DEAR HEAVENLY FATHER, 207 00:11:28,855 --> 00:11:31,525 I ASK THAT YOU BLESS BROTHER DARYL 208 00:11:31,525 --> 00:11:33,818 AND HEAL HIS SUFFERING. 209 00:11:33,818 --> 00:11:36,946 BRING GLORY TO THIS HERO BEFORE ME. 210 00:11:36,946 --> 00:11:39,949 IN JESUS' NAME WE PRAY. AMEN. 211 00:11:39,949 --> 00:11:41,075 AMEN. 212 00:11:42,452 --> 00:11:43,662 THANK YOU. 213 00:11:45,330 --> 00:11:46,956 HEY, THERE, MANDY. 214 00:11:46,956 --> 00:11:48,667 YOU'RE LOOKING PRETTIER AND PRETTIER. 215 00:11:48,667 --> 00:11:49,708 YES, MA'AM. 216 00:11:53,171 --> 00:11:55,215 HEY. 217 00:11:55,215 --> 00:11:56,675 Hannah: WHAT DO YOU THINK? 218 00:11:56,675 --> 00:12:00,595 I COULD SASS IT UP WITH A SHARP SHOULDER CUT. 219 00:12:01,971 --> 00:12:04,974 HEY, YOU? EMMA! 220 00:12:04,974 --> 00:12:06,976 HMM. YEAH, SURE. 221 00:12:08,603 --> 00:12:10,855 WELL, MAYBE THE POLICE GOT CARLOS. 222 00:12:10,855 --> 00:12:11,981 IT WOULD BE IN THE NEWS. 223 00:12:14,568 --> 00:12:16,069 DID YOU CHECK HIS PLACE AGAIN? 224 00:12:16,069 --> 00:12:18,112 IT'S TOO RISKY. 225 00:12:18,112 --> 00:12:21,408 RYAN HARDY WAS THERE. THE FBI COULD BE SEARCHING IT RIGHT NOW. 226 00:12:21,408 --> 00:12:24,327 I DON'T UNDERSTAND WHY CARLOS IS DOING THIS. 227 00:12:24,327 --> 00:12:25,870 THE GUY DITCHED US. 228 00:12:25,870 --> 00:12:28,373 WE HAVEN'T HEARD FROM HIM FOR A YEAR NOW. 229 00:12:28,373 --> 00:12:31,000 LOOKS LIKE HE'S MADE NEW FRIENDS. 230 00:12:31,000 --> 00:12:32,877 I WANT TO KNOW WHO THEY ARE. 231 00:12:32,877 --> 00:12:34,295 IF THERE ARE OTHERS OUT THERE, WE SHOULD KNOW. 232 00:12:36,548 --> 00:12:38,007 IS THERE ANY OTHER WAY TO FIND CARLOS? 233 00:12:40,719 --> 00:12:41,886 MAYBE ONE. 234 00:12:51,438 --> 00:12:53,356 HMM. AWESOME. 235 00:12:56,651 --> 00:13:00,655 Doris Day: ♪ WHEN I WAS JUST A LITTLE GIRL ♪ 236 00:13:00,655 --> 00:13:04,200 ♪ I ASKED MY MOTHER "WHAT WILL I BE?" ♪ 237 00:13:05,744 --> 00:13:07,746 ♪ "WILL I BE PRETTY?" ♪ 238 00:13:07,746 --> 00:13:09,914 ♪ "WILL I BE RICH?" ♪ 239 00:13:09,914 --> 00:13:12,166 ♪ HERE'S WHAT SHE SAID TO ME ♪ 240 00:13:13,167 --> 00:13:16,463 ♪ QUE SERA, SERA ♪ 241 00:13:16,463 --> 00:13:20,258 ♪ WHATEVER WILL BE WILL BE ♪ 242 00:13:20,258 --> 00:13:24,220 ♪ THE FUTURE'S NOT OURS TO SEE ♪ 243 00:13:24,220 --> 00:13:27,474 ♪ QUE SERA, SERA ♪♪ 244 00:13:30,351 --> 00:13:34,481 DEAR LORD, THANK YOU FOR THIS FOOD WE'RE ABOUT TO EAT. 245 00:13:34,481 --> 00:13:37,651 THANK YOU FOR SUCH AN AMAZING FAMILY TO SHARE IT WITH. 246 00:13:37,651 --> 00:13:39,068 WE ARE TRULY BLESSED. 247 00:13:41,488 --> 00:13:43,448 - AMEN. - AMEN. 248 00:13:48,995 --> 00:13:51,205 WHAT WAS THAT, DAD? 249 00:13:51,205 --> 00:13:54,208 OH. I'LL LET MARK TELL YOU. 250 00:13:54,208 --> 00:13:55,418 TELL HIM ABOUT THE GIRL WE MET. 251 00:13:58,505 --> 00:14:00,131 YOU DO IT. 252 00:14:00,131 --> 00:14:01,549 YOU LIKED HER MORE THAN I DID. 253 00:14:01,549 --> 00:14:03,842 I THOUGHT SHE WAS A LITTLE TALKY. 254 00:14:03,842 --> 00:14:06,137 HER NAME'S HEATHER. SHE'S REALLY BEAUTIFUL. 255 00:14:06,137 --> 00:14:08,682 SHE HAS THE LONG LEGS THAT GO ON FOR DAYS. 256 00:14:08,682 --> 00:14:09,808 SHE'S A DANCER, 257 00:14:10,891 --> 00:14:12,519 A CHORUS GIRL. 258 00:14:13,852 --> 00:14:14,979 YOU WOULD LIKE HER. 259 00:14:17,607 --> 00:14:19,359 SURE, MOM. YOU CAN MEET HER. 260 00:14:19,359 --> 00:14:20,694 WE'LL INVITE HER OVER NEXT TIME. 261 00:14:22,445 --> 00:14:23,738 WE SHOULD DO THIS MORE OFTEN, GUYS. 262 00:14:25,114 --> 00:14:26,240 FAMILY TIME'S IMPORTANT. 263 00:14:48,346 --> 00:14:49,556 Max: IT'S ME. 264 00:14:49,556 --> 00:14:50,890 DON'T SHOOT! 265 00:14:52,266 --> 00:14:53,476 WHAT ARE YOU DOING HERE? 266 00:14:53,476 --> 00:14:55,520 I LEFT MESSAGES. 267 00:14:55,520 --> 00:14:57,397 YOU DON'T CALL ME BACK, I STORM YOUR PLACE. 268 00:14:57,397 --> 00:14:58,648 THAT'S HOW IT WORKS. 269 00:14:58,648 --> 00:15:00,274 I WAS GONNA CALL. 270 00:15:00,274 --> 00:15:02,151 WHAT HAPPENED WITH CARLOS PEREZ? 271 00:15:02,151 --> 00:15:03,277 I WENT TO HIS PLACE, 272 00:15:03,277 --> 00:15:06,280 HE SAW ME, HE RAN, I LOST HIM. 273 00:15:06,280 --> 00:15:08,449 - THAT'S IT? - AND I WAS HIT BY A CAB. 274 00:15:11,578 --> 00:15:13,496 BUT YOU FOUND THIS? 275 00:15:13,496 --> 00:15:15,540 I WANT MY KEYS BACK. 276 00:15:15,540 --> 00:15:19,043 TOO BAD. YOU KNOW THAT MASK HAS ITS OWN TASK FORCE? 277 00:15:19,043 --> 00:15:21,337 SILICONE, HAND-PAINTED, 278 00:15:21,337 --> 00:15:23,089 USING MATERIALS OBTAINED 279 00:15:23,089 --> 00:15:25,925 FROM A THOUSAND DIFFERENT VENDORS ONLINE AND ELSEWHERE. 280 00:15:25,925 --> 00:15:27,468 GOOD LUCK. 281 00:15:27,468 --> 00:15:29,345 YOU'RE WITHHOLDING THAT YOU OBTAINED ILLEGALLY. 282 00:15:29,345 --> 00:15:30,971 YOU'VE GOT TO STOP PLAYING DIRTY HARRY 283 00:15:30,971 --> 00:15:32,931 AND GO TO THE FBI, RYAN. THEY'RE YOUR PEOPLE. 284 00:15:32,931 --> 00:15:34,684 THAT MASK IS NOT GONNA HELP THEM. 285 00:15:34,684 --> 00:15:36,394 TELL THEM ABOUT JOE CARROLL. 286 00:15:37,937 --> 00:15:40,189 I HAVE NO EVIDENCE. YOU KNOW THAT. 287 00:15:40,189 --> 00:15:41,357 YOU HAVE A THEORY, 288 00:15:41,357 --> 00:15:43,359 - A GOOD ONE. - CRAZY ONE. 289 00:15:43,359 --> 00:15:45,111 THEY'LL LISTEN. THEY HAVE TO. 290 00:15:46,320 --> 00:15:47,488 AND THEY WON'T BELIEVE ME. 291 00:15:48,489 --> 00:15:50,450 TELL ME THE TRUTH. 292 00:15:50,450 --> 00:15:51,618 DO YOU BELIEVE ME? 293 00:15:55,079 --> 00:15:56,539 I THINK IT'S WORTH INVESTIGATING, 294 00:15:56,539 --> 00:15:57,957 AND SO WILL THEY. 295 00:15:57,957 --> 00:15:59,584 I WAS WRONG TO INVOLVE YOU. 296 00:15:59,584 --> 00:16:02,503 I'M SORRY. I WON'T DO IT ANYMORE. 297 00:16:02,503 --> 00:16:05,673 DON'T. THAT'S NOT WHAT THIS IS ABOUT. 298 00:16:05,673 --> 00:16:07,926 I OFFERED TO HELP, BUT WE'RE IN AN IFFY PLACE RIGHT NOW. 299 00:16:09,135 --> 00:16:10,720 I WANNA HELP YOU, 300 00:16:10,720 --> 00:16:12,513 BUT THIS ISN'T JUST RESEARCH ANYMORE, 301 00:16:12,513 --> 00:16:14,474 AND I DON'T THINK YOU SHOULD TAKE THIS ON. 302 00:16:15,725 --> 00:16:17,226 IT'S TOO MUCH. 303 00:16:17,226 --> 00:16:18,352 YOU KNOW WHAT I'M TALKING ABOUT. 304 00:16:21,481 --> 00:16:23,399 OKAY. I'M TAKING OFF. 305 00:16:23,399 --> 00:16:25,025 DON'T WAIT UP. IT'S TRAVIS, 306 00:16:25,025 --> 00:16:27,737 SO HE'S LIABLE TO KEEP ME ALL NIGHT. 307 00:16:27,737 --> 00:16:30,239 YOU KEEP THAT TV OFF, OKAY? 308 00:16:30,239 --> 00:16:31,449 DON'T WORK TOO HARD NOW. 309 00:16:37,246 --> 00:16:38,414 WHERE'S YOUR TABLET? 310 00:16:39,499 --> 00:16:41,250 I DID WHAT YOU SAID. 311 00:16:41,250 --> 00:16:44,044 I ACCESSED "BALTIMORE GAZETTE." 312 00:16:44,044 --> 00:16:46,422 HERE'S THE CLASSIFIEDS. 313 00:16:46,422 --> 00:16:47,674 AH. 314 00:16:52,261 --> 00:16:55,264 IS THIS HOW YOU LEAVE MESSAGES FOR YOUR FRIENDS? 315 00:16:55,264 --> 00:16:56,808 NO. IT'S HOW THEY LEAVE THEM FOR ME. 316 00:16:59,185 --> 00:17:03,773 ALL RIGHT. SO IT'S A NEW YORK NUMBER. 317 00:17:03,773 --> 00:17:07,735 YOUR FRIENDS KILLED AL THOSE PEOPLE, DIDN'T THEY? 318 00:17:07,735 --> 00:17:11,280 I SUPPOSE THEY DID, YES. 319 00:17:11,280 --> 00:17:14,492 WHAT'S IT LIKE TO... KILL SOMEONE? 320 00:17:18,788 --> 00:17:20,832 YOUR MOTHER WOULD KILL ME IF-- 321 00:17:20,832 --> 00:17:22,416 IF I ANSWERED THAT QUESTION. 322 00:17:23,918 --> 00:17:25,879 I KNOW WHAT YOU'VE DONE. 323 00:17:25,879 --> 00:17:28,339 THAT'S WHY MOM WROTE YOU ALL THOSE LETTERS IN PRISON. 324 00:17:29,841 --> 00:17:32,301 SHE TOLD ME SHE COULD FIX YOU. 325 00:17:32,301 --> 00:17:33,302 AND SHE DID, 326 00:17:35,471 --> 00:17:36,556 AND HERE I AM. 327 00:17:39,433 --> 00:17:40,727 ARE YOU GONNA LEAVE? 328 00:17:45,147 --> 00:17:46,273 NO. 329 00:17:47,901 --> 00:17:50,611 NO, NO. I'M NEVER GONNA LEAVE YOU, PUMPKIN. 330 00:17:50,611 --> 00:17:53,531 - PROMISE? - MM-HMM. 331 00:17:53,531 --> 00:17:55,073 I DON'T WANT YOU TO GO. 332 00:17:56,534 --> 00:17:58,077 IT'S BETTER WITH YOU HERE. 333 00:18:02,206 --> 00:18:03,457 COME HERE. 334 00:18:28,691 --> 00:18:31,277 Luke: I KNOW I DON'T REALLY OPEN UP MUCH. 335 00:18:31,277 --> 00:18:33,237 MARK'S THE SENSITIVE ONE. 336 00:18:33,237 --> 00:18:35,949 HE WEARS HIS HEART ON HIS SLEEVE, 337 00:18:35,949 --> 00:18:39,118 AND I'M NOT GOOD AT THIS STUFF, BUT... 338 00:18:43,873 --> 00:18:45,083 I LOVE YOU, DAD. 339 00:18:47,376 --> 00:18:48,502 HOPE YOU KNOW THAT. 340 00:19:00,890 --> 00:19:02,016 YOU READY? 341 00:19:02,016 --> 00:19:03,267 YEAH. 342 00:19:12,401 --> 00:19:14,403 WHAT HAPPENED TO THAT GUY YOU WERE DATING? 343 00:19:14,403 --> 00:19:17,156 REALLY? WE'RE GONNA HAVE A NORMAL CONVERSATION? 344 00:19:17,156 --> 00:19:18,950 I WAS TRYING. [RINGING] 345 00:19:20,743 --> 00:19:21,953 HELLO? 346 00:19:21,953 --> 00:19:22,954 Luke: HELLO, RYAN. 347 00:19:24,288 --> 00:19:26,165 YEAH. WHO'S THIS? 348 00:19:26,165 --> 00:19:28,167 YOU CAN CALL ME LUKE. 349 00:19:28,167 --> 00:19:29,669 - TRACE THIS CALL. - WHAT? WHY? 350 00:19:29,669 --> 00:19:31,420 NOW, NOW. 351 00:19:31,420 --> 00:19:32,672 YEAH. WHAT CAN I DO FOR YOU, LUKE? 352 00:19:32,672 --> 00:19:34,465 YOU HAVE TO PING THE NUMBER TO MY PHONE. 353 00:19:34,465 --> 00:19:37,551 I THOUGHT IT WAS TIME TO CALL AND INTRODUCE MYSELF. 354 00:19:37,551 --> 00:19:39,428 YEAH. I'M GLAD YOU DID, 355 00:19:39,428 --> 00:19:41,472 BUT, UH, 356 00:19:41,472 --> 00:19:43,432 PHONE CALLS ARE SO IMPERSONAL, YOU KNOW WHAT I MEAN? 357 00:19:43,432 --> 00:19:46,811 I'D MUCH RATHER MEET YOU FACE TO FACE. 358 00:19:46,811 --> 00:19:50,439 PATIENCE. I THINK WE MAY BE MEETING VERY SOON. 359 00:19:52,984 --> 00:19:55,486 SO, UH, TALK TO ME. 360 00:19:55,486 --> 00:19:56,612 WHAT HAVE YOU BEEN UP TO? 361 00:19:57,697 --> 00:19:59,073 THIS AND THAT. 362 00:19:59,073 --> 00:20:01,075 HAVE YOU ENJOYED OUR SHOW THUS FAR? 363 00:20:03,036 --> 00:20:05,079 WELL, THE SUBWAY WAS A GREAT OPENING NUMBER, 364 00:20:05,079 --> 00:20:06,455 AND THERE WAS A CERTAIN POETRY 365 00:20:06,455 --> 00:20:07,748 TO THE GIRL IN THE PARK. 366 00:20:07,748 --> 00:20:09,625 I'M GLAD YOU ENJOYED IT. 367 00:20:09,625 --> 00:20:11,377 WHAT ABOUT JOE? 368 00:20:11,377 --> 00:20:13,587 DID HE ENJOY IT? 369 00:20:13,587 --> 00:20:16,090 I MEAN, THAT'S WHO ALL THIS IS FOR, RIGHT-- 370 00:20:16,090 --> 00:20:17,341 JOE CARROLL? 371 00:20:23,097 --> 00:20:24,807 EHH. ANYTHING? 372 00:20:24,807 --> 00:20:27,018 WEST SIDE, 80s. IT'S STILL SEARCHING. 373 00:20:27,018 --> 00:20:28,394 COME ON, COME ON, COME ON. 374 00:20:30,229 --> 00:20:32,356 - 438 WEST 88th STREET. - I'M ON MY WAY. 375 00:20:32,356 --> 00:20:33,649 - I'M CALLING THE POLICE. - NO! 376 00:20:33,649 --> 00:20:35,401 LET ME GO FIRST AND CHECK IT OUT. 377 00:20:35,401 --> 00:20:37,070 - RYAN! - THEY KNEW I WAS GONNA TRACE THE CALL. 378 00:20:37,070 --> 00:20:39,697 WHICH IS EXACTLY WHY WE NEED TO INVOLVE THE POLICE. 379 00:20:39,697 --> 00:20:41,199 IF THEY SHOW UP, SIRENS BLAZING. 380 00:20:41,199 --> 00:20:42,909 THESE GUYS ARE GONNA DISAPPEAR. 381 00:20:42,909 --> 00:20:44,660 WORSE THAN THAT, SOMEONE'S GONNA GET HURT. 382 00:20:44,660 --> 00:20:46,370 WE'RE GONNA HAVE NOTHING. THEY CALLED ME. 383 00:20:46,370 --> 00:20:48,206 THEY WANT ME. LET ME GO FIRST, 384 00:20:48,206 --> 00:20:49,749 CHECK IT OUT, AND YOU CAN CALL WHOEVER YOU WANT. 385 00:20:51,375 --> 00:20:52,626 DAMN IT, RYAN! 386 00:21:28,746 --> 00:21:31,457 [CELL PHONE RINGS] WHAT'S GOING ON? 387 00:21:31,457 --> 00:21:33,667 IT'S AN EMPTY BROWNSTONE. 388 00:21:33,667 --> 00:21:34,668 DO WE HAVE A SIGNAL? 389 00:21:36,462 --> 00:21:38,005 SIGNAL IS STILL THERE. 390 00:21:38,005 --> 00:21:39,090 YOU'RE ON TOP OF IT. 391 00:21:40,340 --> 00:21:42,551 I THINK IT'S ON TOP OF ME. 392 00:21:42,551 --> 00:21:44,303 - I'M GONNA HANG UP NOW. - NOPE. RYAN, 393 00:21:44,303 --> 00:21:46,555 - KEEP ME ON THE PHONE. - ALL RIGHT. HANG TIGHT. 394 00:22:07,910 --> 00:22:09,996 - STILL THERE? - MUST STILL BE ABOVE YOU. 395 00:22:11,289 --> 00:22:12,623 I THINK IT'S ON THE ROOF. 396 00:22:46,949 --> 00:22:48,159 WHAT WAS THAT? WHAT RANG? 397 00:22:50,036 --> 00:22:51,204 Luke: I SEE YOU MADE IT. 398 00:22:54,999 --> 00:22:56,167 WELL DONE. 399 00:22:58,211 --> 00:22:59,920 MAX, YOU NEED TO SEND UNITS TO 400 00:22:59,920 --> 00:23:03,257 437 WEST 88th NOW. 401 00:24:10,950 --> 00:24:12,450 HI. 402 00:24:12,450 --> 00:24:15,453 I WANT MY MOM. WHERE'S MY MOM? 403 00:24:17,248 --> 00:24:18,832 WHAT'S YOUR NAME? 404 00:24:18,832 --> 00:24:20,293 BEN. 405 00:24:20,293 --> 00:24:22,128 HEY, BEN. I'M RYAN. 406 00:24:24,046 --> 00:24:25,256 I NEED YOU TO COME WITH ME. 407 00:24:27,591 --> 00:24:29,302 IT'S ALL RIGHT. IT'S GONNA BE OKAY. 408 00:24:34,848 --> 00:24:37,601 Man on TV: IN 2002, A BRUTAL SERIES OF MURDERS 409 00:24:37,601 --> 00:24:39,853 ROCKED A VIRGINIA UNIVERSITY 410 00:24:39,853 --> 00:24:43,107 AND SHOCKED THE NATION TO ITS VERY CORE. 411 00:24:43,107 --> 00:24:46,235 FOR OVER A YEAR, LITERARY PROFESSOR JOE CARROLL 412 00:24:46,235 --> 00:24:48,737 ATTACKED 14 COLLEGE GIRLS. 413 00:24:48,737 --> 00:24:51,198 DID YOU PLAY TOO MANY VIDEO GAMES GROWING UP? 414 00:24:53,075 --> 00:24:54,660 NO, SWEETIE. 415 00:24:54,660 --> 00:24:57,621 DID YOU WATCH A LOT OF HORROR MOVIES GROWING UP? 416 00:24:59,248 --> 00:25:01,250 NO, SWEETIE. 417 00:25:03,002 --> 00:25:06,297 Man on TV: MEDIA FEEDING FRENZY WITH BLOODTHIRSTY LAWYERS, 418 00:25:06,297 --> 00:25:08,966 OUTRAGED CITIZENS... 419 00:25:08,966 --> 00:25:11,051 EVENING, MANDY. WHERE'S YOUR MAMA? 420 00:25:11,051 --> 00:25:12,094 SHE'S OUT. 421 00:25:12,094 --> 00:25:13,804 WHEN'S SHE COMING HOME? 422 00:25:13,804 --> 00:25:15,222 I GOT SOME TIME. 423 00:25:16,514 --> 00:25:19,101 BROTHER DARYL, HOW ARE YOU? 424 00:25:19,101 --> 00:25:20,686 [SOUTHERN ACCENT] NOT GOOD, REVEREND, NOT GOOD. 425 00:25:20,686 --> 00:25:22,771 I'LL JUST SIT DOWN FOR A WHILE AND WAIT. 426 00:25:28,486 --> 00:25:30,570 HEY, MANDY. WILL YOU GRAB ME A BEER? 427 00:25:34,200 --> 00:25:35,784 Ryan: THEY CALLED ME 428 00:25:35,784 --> 00:25:37,995 - WHY YOU? - I DON'T KNOW. ASK THEM. 429 00:25:37,995 --> 00:25:39,663 HOW EXACTLY DID YOU GET HERE? 430 00:25:39,663 --> 00:25:41,539 I WAS LURED HERE BY PHONE. 431 00:25:41,539 --> 00:25:43,250 THEY GIVE YOU THE ADDRESS? 432 00:25:43,250 --> 00:25:45,211 THEY...ENGAGED ME. 433 00:25:45,211 --> 00:25:47,545 TELL ME WHY I SHOULDN'T ARREST YOU FOR OBSTRUCTION. 434 00:25:47,545 --> 00:25:50,299 UH, BECAUSE THAT WOULD BE VERY STUPID OF YOU. 435 00:25:50,299 --> 00:25:53,093 - EXCUSE ME? - I SEEM TO BE THE ONLY ONE THEY WANT TO SPEAK TO. 436 00:25:53,093 --> 00:25:54,220 SIR... 437 00:25:57,014 --> 00:25:59,933 LOOK. I RECOGNIZE YOUR SPECIAL RELATIONSHIP 438 00:25:59,933 --> 00:26:02,102 TO THIS CASE, BUT YOU KEEP THIS UP, 439 00:26:02,102 --> 00:26:04,938 AND I WILL PERSONALLY PULL YOUR HEAD THROUGH YOUR ASS. 440 00:26:07,816 --> 00:26:09,943 Mike: HMM. 441 00:26:09,943 --> 00:26:12,821 STILL SURPRISES ME HOW PEOPLE ARE SO DRAWN TO YOU. 442 00:26:12,821 --> 00:26:14,823 RYAN, IT'S THE SAME M.O. 443 00:26:14,823 --> 00:26:17,701 THE CIGAR, THE COGNAC, ANOTHER HOMAGE TO "THE GOTHIC SEA." 444 00:26:17,701 --> 00:26:19,619 IT'S GWENDOLYN'S PARENTS LIVING UNDER THE SAME ROOF 445 00:26:19,619 --> 00:26:21,997 BUT ISOLATED, DISCONNECTED FROM EACH OTHER. 446 00:26:21,997 --> 00:26:23,832 BUT HIDDEN WITHIN THESE TABLEAUS, 447 00:26:23,832 --> 00:26:26,001 THE KILLERS' OWN PATHOLOGY IS STARTING TO EMERGE. 448 00:26:26,001 --> 00:26:27,420 SPENT TIME WITH THEM POST-MORTEM 449 00:26:27,420 --> 00:26:28,879 JUST LIKE HEATHER CLARKE THE DANCER. 450 00:26:28,879 --> 00:26:30,297 THIS TIME THEY'RE PLAYING HOUSE, 451 00:26:30,297 --> 00:26:32,049 CREATING A FAMILY DYNAMIC. 452 00:26:32,049 --> 00:26:33,342 HEY, RYAN! 453 00:26:43,394 --> 00:26:45,020 HELLO. 454 00:26:45,020 --> 00:26:46,980 Luke: HOW'D IT GO AT THE CRIME SCENE? 455 00:26:46,980 --> 00:26:50,109 DID THEY FIND LOTS OF PRINTS AND DNA? 456 00:26:50,109 --> 00:26:52,111 DOES IT MATTER, LUKE? 457 00:26:52,111 --> 00:26:54,988 THEY WON'T IDENTIFY YOU BECAUSE YOU DON'T EXIST, DO YOU, LUKE? 458 00:26:54,988 --> 00:26:56,490 I SAW WHAT YOU DID TO THAT FAMILY. 459 00:26:56,490 --> 00:27:00,286 THE "GOTHIC SEA" SYMBOLISM WAS A BIT OBVIOUS, 460 00:27:00,286 --> 00:27:01,579 BUT IT GOES DEEPER THAN THAT. 461 00:27:03,080 --> 00:27:04,748 YOU'RE LONELY, 462 00:27:04,748 --> 00:27:06,375 AND YOU'RE SEARCHING FOR AN IDENTITY. 463 00:27:06,375 --> 00:27:07,876 AM I WARM? 464 00:27:07,876 --> 00:27:10,588 YOU THINK THAT IF YOU LURE JOE OUT OF HIDING 465 00:27:10,588 --> 00:27:14,049 HE WILL MAGICALLY BECOME THE FATHER THAT YOU NEVER HAD. 466 00:27:15,342 --> 00:27:18,178 WOW. JUST... 467 00:27:18,178 --> 00:27:20,514 WOW! THAT'S--THAT'S IMPRESSIVE. 468 00:27:20,514 --> 00:27:23,350 SO INSIGHTFUL, MR. DEATH. 469 00:27:23,350 --> 00:27:26,479 SINCE WE'RE TALKING IDENTITY, EVERYONE AROUND YOU DIES. 470 00:27:26,479 --> 00:27:28,355 YOU KNOW ALL ABOUT LONELY. 471 00:27:28,355 --> 00:27:30,483 DID I TOUCH ON SOMETHING TOO PERSONAL? 472 00:27:30,483 --> 00:27:33,277 - I'M SORRY. - YOU KNOW, I BET CLAIRE'S DEATH HURT. 473 00:27:35,321 --> 00:27:38,157 WELL, TOO BAD, BUT IT'S NICE TO SEE YOU 474 00:27:38,157 --> 00:27:40,451 GETTING BACK OUT THERE AGAIN. 475 00:27:40,451 --> 00:27:42,202 YOU REALLY HAVE A THING FOR BLONDS. 476 00:27:43,912 --> 00:27:45,038 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 477 00:27:45,038 --> 00:27:47,458 WE FOLLOWED YOU, RYAN. 478 00:27:47,458 --> 00:27:51,462 WE KNOW YOU'RE CRUSHING ON A CERTAIN BLOND ART DEALER FROM SOHO, 479 00:27:51,462 --> 00:27:53,422 THE LITTLE VICTIM THAT GOT AWAY. 480 00:27:58,344 --> 00:28:01,263 SHE LOOKS LOVELY IN RED. 481 00:28:02,806 --> 00:28:04,433 I'D HURRY IF I WERE YOU. 482 00:28:10,397 --> 00:28:12,483 SO WHAT ARE WE WATCHING? 483 00:28:12,483 --> 00:28:15,152 I KNOW WE'VE-- WE HAD ENOUGH OF THE TV FOR-- 484 00:28:15,152 --> 00:28:17,112 ...A DESIRE TO BELONG. 485 00:28:17,112 --> 00:28:18,696 CARROLL MANIPULATED THAT DESIRE TO GET... 486 00:28:18,696 --> 00:28:20,324 IT'S HORRIBLE STUFF, AIN'T IT? 487 00:28:20,324 --> 00:28:22,242 BECAUSE OF HIS FOLLOWERS' ADMIRATION, 488 00:28:22,242 --> 00:28:24,702 CARROLL'S EGO GREW AND EVENTUALLY LED TO HIS DEMISE. 489 00:28:24,702 --> 00:28:26,955 YOU SEE, CARROLL BELIEVED HIMSELF 490 00:28:26,955 --> 00:28:29,500 - TO BE A GRAND AND VISIONARY AUTHOR...-- - YEP, SURE HE IS. 491 00:28:29,500 --> 00:28:30,708 HE WAS A LOUSY WRITER. 492 00:28:30,708 --> 00:28:32,503 THAT'S WHY WE'VE HAD ENOUGH. 493 00:28:32,503 --> 00:28:34,129 AND AN EVEN LOUSIER HUSBAND. 494 00:28:40,302 --> 00:28:44,223 WELL...IF JUDY AIN'T COMING HOME SOON, 495 00:28:45,391 --> 00:28:47,685 I GUESS I'LL MOSEY. 496 00:28:47,685 --> 00:28:49,727 SURE YOU DON'T WANT TO JUST HANG AROUND FOR A WHILE? 497 00:28:49,727 --> 00:28:50,979 I APPRECIATE THE OFFER, 498 00:28:50,979 --> 00:28:53,857 BUT I GOT A SERMON TO WRITE. 499 00:29:05,869 --> 00:29:07,871 - HE KNOWS. - [NORMAL VOICE] I THINK YOU'RE RIGHT. 500 00:29:07,871 --> 00:29:09,415 DAMN. LET ME DEAL WITH THIS. 501 00:29:09,415 --> 00:29:10,790 NO, JOE. DON'T HURT HIM. 502 00:29:10,790 --> 00:29:12,167 [SOUTHERN ACCENT] EXCUSE ME, REVEREND. 503 00:29:12,167 --> 00:29:13,586 CAN I HAVE A MOMENT, PLEASE? 504 00:29:21,301 --> 00:29:22,553 HEY. HOLD ON NOW. 505 00:29:22,553 --> 00:29:25,138 GET OUT! GET OUT! 506 00:29:25,138 --> 00:29:26,181 AAH! UNH! 507 00:29:28,141 --> 00:29:29,184 Mandy: HEY, REVEREND. 508 00:29:54,251 --> 00:29:56,670 [NORMAL VOICE] OH. FINALLY YOU'RE AWAKE. 509 00:29:56,670 --> 00:29:58,756 YOU HAVE PRESENTED US WITH QUITE 510 00:29:58,756 --> 00:30:01,216 THE CONUNDRUM, REVEREND. 511 00:30:01,216 --> 00:30:04,177 I FEEL AS IF YOU FORCED MY HAND. 512 00:30:05,429 --> 00:30:08,557 DEAR GOD! IT'S REALLY YOU. 513 00:30:08,557 --> 00:30:11,435 PLEASE, JOE. DON'T KILL HIM. 514 00:30:11,435 --> 00:30:13,437 HELP ME, DEAR. UNTIE ME. 515 00:30:14,938 --> 00:30:17,190 YOU SEE, THE TROUBLE IS I-I-I JUST DON'T KNOW 516 00:30:17,190 --> 00:30:19,568 WHAT TO DO WITH YOU. 517 00:30:19,568 --> 00:30:22,321 HELL! I BARELY KNOW WHAT TO DO WITH ME. HEH. 518 00:30:22,321 --> 00:30:25,282 I'VE BEEN STUCK IN THIS--PHEW-- 519 00:30:25,282 --> 00:30:27,409 DYSTOPIAN SQUALOR FOR-- 520 00:30:27,409 --> 00:30:30,078 FOR A YEAR NOW. 521 00:30:30,078 --> 00:30:33,624 IN FACT, I-I-I'M RATHER OFF MY-- 522 00:30:33,624 --> 00:30:35,501 OFF MY GAME. 523 00:30:35,501 --> 00:30:38,504 YOU'VE GRANTED, IT HAS BEEN GOOD TO HAVE THE TIME 524 00:30:38,504 --> 00:30:41,840 TO, UH, TO REFLECT, BUT 525 00:30:41,840 --> 00:30:45,511 ALL I'VE BEEN DOING IS HIDING MY FAILURES 526 00:30:45,511 --> 00:30:48,597 WHILE WALLOWING IN A PIT OF 527 00:30:48,597 --> 00:30:51,684 CLINICAL DEPRESSION. 528 00:30:51,684 --> 00:30:54,311 NOW BEST LAID PLANS AND ALL THAT. 529 00:30:56,313 --> 00:30:59,983 SEE, I FAILED. YEAH. 530 00:30:59,983 --> 00:31:02,736 I FAILED AS A WRITER, I FAILED AS A HUSBAND, 531 00:31:02,736 --> 00:31:04,112 AND I FAILED-- 532 00:31:05,823 --> 00:31:07,866 I FAILED AS A FATHER. 533 00:31:12,245 --> 00:31:14,998 AND THESE ARE NOT EASY THINGS FOR ME... 534 00:31:17,167 --> 00:31:19,252 TO ADMIT TO YOU, REVEREND. 535 00:31:20,838 --> 00:31:24,257 YOU SAID YOU-- YOU WOULD LISTEN TO ME. 536 00:31:25,509 --> 00:31:27,678 YOU SAID YOU WOULD HELP ME. 537 00:31:30,556 --> 00:31:33,559 NOW IS THE TIME. 538 00:31:37,020 --> 00:31:38,355 NOW IS THE TIME. 539 00:31:41,650 --> 00:31:43,861 HELP ME. 540 00:31:47,030 --> 00:31:50,950 WHAT AM I TO DO, REV, HMM? 541 00:31:53,495 --> 00:31:55,955 AM I GONNA KILL YOU OR NOT? 542 00:32:04,047 --> 00:32:06,174 Lily: AGAIN, THANK YOU SO MUCH FOR COMING HERE TONIGHT. 543 00:32:06,174 --> 00:32:08,635 LET'S RAISE A LOT OF MONEY FOR THIS WONDERFUL CAUSE. 544 00:32:08,635 --> 00:32:10,053 THANK YOU. 545 00:32:24,777 --> 00:32:26,027 Mark: YOU GOT HERE FAST. 546 00:32:26,027 --> 00:32:27,696 DID YOU RUN THE WHOLE WAY? 547 00:32:27,696 --> 00:32:30,073 DON'T WORRY ABOUT IT. I'M HERE NOW. 548 00:32:30,073 --> 00:32:32,618 SO HOW ABOUT YOU LEAVE THE LADY ALONE AND COME AFTER ME? 549 00:32:32,618 --> 00:32:33,993 I'M THE ONE YOU REALLY WANT. 550 00:32:33,993 --> 00:32:35,913 WELL, YEAH, BUT KILLING HER WOULD GET YOU. 551 00:32:36,914 --> 00:32:38,707 GUILT KILLS RYAN. 552 00:32:38,707 --> 00:32:41,209 I MEAN, YOU MUST BLAME YOURSELF FOR CLAIRE'S DEATH. 553 00:32:41,209 --> 00:32:43,169 HOW DO YOU SLEEP AT NIGHT? 554 00:32:43,169 --> 00:32:44,630 THAT'S WHAT'S MOTIVATES YOU. 555 00:32:44,630 --> 00:32:46,590 YOU REALLY THINK THAT IF YOU CAN SAVE 556 00:32:46,590 --> 00:32:49,342 ALL THE WORLD'S VICTIMS THAT WILL EASE YOUR SUFFERING. 557 00:32:49,342 --> 00:32:50,343 I THINK KILLING YOU WOULD. 558 00:32:56,224 --> 00:32:57,810 IT'S NICE TO OFFICIALLY MEET YOU. 559 00:33:17,036 --> 00:33:19,372 SEE THAT? I TOLD YOU IT WOULD BE QUICK AND PAINLESS. 560 00:33:19,372 --> 00:33:20,582 SWEETIE, I'M EXHAUSTED. 561 00:33:20,582 --> 00:33:21,792 CAN WE JUST GO RIGHT NOW? 562 00:33:21,792 --> 00:33:23,251 OF COURSE. THANK YOU. 563 00:33:23,251 --> 00:33:24,377 THE CAR'S WAITING IN THE BACK. 564 00:33:28,423 --> 00:33:30,133 HEY. HOW MANY AGENTS ON THE SCENE? 565 00:33:30,133 --> 00:33:31,802 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 566 00:33:31,802 --> 00:33:33,386 YOU'RE FBI. DON'T PRETEND YOU'RE NOT. 567 00:33:33,386 --> 00:33:35,013 WE GOT A SITUATION HERE. HOW MANY? 568 00:33:36,264 --> 00:33:37,390 3 INCLUDING MYSELF. 569 00:33:37,390 --> 00:33:38,809 YOU NEED TO FIND LILY GRAY, 570 00:33:38,809 --> 00:33:40,477 MAKE SURE SHE'S SECURE. NOW. 571 00:33:44,648 --> 00:33:46,191 THIS WAY. 572 00:33:46,191 --> 00:33:47,734 I'LL HAVE YOU HOME BEFORE YOU KNOW IT. 573 00:33:53,991 --> 00:33:55,033 DOWN HERE. 574 00:34:18,682 --> 00:34:20,183 IT'S JUST AROUND THIS WAY. 575 00:34:24,604 --> 00:34:25,731 WAIT. 576 00:34:28,441 --> 00:34:31,069 WHO IS THAT? HELLO? 577 00:34:32,195 --> 00:34:33,446 WHO ARE YOU? 578 00:34:43,916 --> 00:34:45,792 HE WAS IN THE SUBWAY! 579 00:34:45,792 --> 00:34:47,544 HE WAS IN THE SUBWAY! 580 00:34:47,544 --> 00:34:48,587 THIS WAY! 581 00:34:53,091 --> 00:34:54,467 STAY BEHIND ME. 582 00:34:57,094 --> 00:34:58,847 RUN! AAH! 583 00:35:05,228 --> 00:35:07,647 HELP! AAH! 584 00:35:07,647 --> 00:35:10,692 SHH. IT'S OKAY. IT'S ME, IT'S ME. 585 00:35:10,692 --> 00:35:11,902 - THEY'RE HERE, - WHAT? 586 00:35:11,902 --> 00:35:14,112 THE PEOPLE FROM THE SUBWAY. 587 00:35:14,112 --> 00:35:15,196 - THEY TOOK DAVID. - FBI, MS. GRAY! 588 00:35:15,196 --> 00:35:16,907 GET MS. GRAY SECURE! 589 00:35:16,907 --> 00:35:19,659 IT'S OKAY. IT'S OKAY. THEY'RE FBI. 590 00:35:19,659 --> 00:35:21,578 - KEEP HER SAFE. - YOU'RE GONNA BE FINE. 591 00:35:25,248 --> 00:35:27,084 David: RYAN. HELP. 592 00:35:50,231 --> 00:35:51,524 Luke: HEY, RYAN! 593 00:36:01,701 --> 00:36:03,161 COME ON. LET'S GO. LUKE. 594 00:36:04,621 --> 00:36:05,664 SURPRISED, HUH? 595 00:36:16,758 --> 00:36:18,844 OKAY. HANG ON. HANG IN THERE. 596 00:36:18,844 --> 00:36:20,553 HANG IN THERE, HANG IN. 597 00:36:23,890 --> 00:36:25,600 - LUKE, YOU'RE BLEEDING. - DAMN STRAIGHT! 598 00:36:25,600 --> 00:36:27,477 I'VE JUST BEEN SHOT. DAMN THAT RYAN HARDY. 599 00:36:27,477 --> 00:36:30,188 HE SHOT ME. HA HA HA! 600 00:36:30,188 --> 00:36:31,189 COME ON. LET'S GO! 601 00:36:40,866 --> 00:36:42,784 Mendez: TRAFFIC CAMS CAUGHT THEM LEAVING IN A CAR. 602 00:36:42,784 --> 00:36:44,494 THEY TAPED OVER THE LICENSE PLATES. 603 00:36:44,494 --> 00:36:45,662 THEY KNOW HOW TO AVOID CAMERAS. 604 00:36:45,662 --> 00:36:47,205 WHAT HAPPENED TO THE MAN? 605 00:36:47,205 --> 00:36:49,166 DAVID ROLAND. HE'S GONNA BE OKAY. 606 00:36:49,166 --> 00:36:52,044 PARAMEDICS ARE TAKING HIM TO MEMORIAL HOSPITAL. 607 00:36:52,044 --> 00:36:53,920 MS. GRAY WILL BE UNDER TIGHT SECURITY. 608 00:36:53,920 --> 00:36:54,921 EXCUSE ME. 609 00:36:57,256 --> 00:36:58,884 HEY. GIVE US A MINUTE. 610 00:36:58,884 --> 00:37:00,719 YEAH. 611 00:37:00,719 --> 00:37:01,845 YOU SCREWED UP TONIGHT. 612 00:37:01,845 --> 00:37:03,221 BUT YOU HAD AGENTS HERE. GOOD MOVE. 613 00:37:03,221 --> 00:37:05,473 SHE WAS THE ONLY SURVIVING WITNESS, RYAN. 614 00:37:05,473 --> 00:37:07,976 SHE WAS A TARGET. OF COURSE WE WERE GONNA WATCH HER, 615 00:37:07,976 --> 00:37:09,936 BUT YOU--WHAT ARE YOU DOING HERE? 616 00:37:09,936 --> 00:37:11,604 THEY--THEY CALLED ME. THEY'RE ENGAGING ME. 617 00:37:11,604 --> 00:37:15,316 SO YOU CALL US. HEY. CALL ME. 618 00:37:15,316 --> 00:37:16,401 ENGAGE THE FBI. YOU ALMOST GOT 619 00:37:16,401 --> 00:37:18,528 TWO PEOPLE KILLED TONIGHT. 620 00:37:18,528 --> 00:37:20,030 - I'M SORRY. - NO. YOU WANT TO GET THESE GUYS SO BAD, 621 00:37:20,030 --> 00:37:21,031 YOU DON'T CARE WHO GETS HURT. 622 00:37:23,533 --> 00:37:24,868 WHAT HAPPENED TO YOU? 623 00:37:27,871 --> 00:37:30,623 HEY. 624 00:37:30,623 --> 00:37:32,667 YOU'RE LOOKING FOR BROTHERS, OKAY, IDENTICAL TWINS. 625 00:37:32,667 --> 00:37:34,293 - I CAN I.D.-- - TELL IT TO MENDEZ. I'M DONE WITH YOU. 626 00:37:50,685 --> 00:37:52,311 - HEY. - HI. 627 00:37:54,647 --> 00:37:56,108 I HAVE TO GO SEE DAVID AT THE HOSPITAL. 628 00:37:56,108 --> 00:37:58,026 - I COULD TAKE YOU. - THANK YOU. 629 00:38:00,237 --> 00:38:01,320 I'M SORRY ABOUT TONIGHT. 630 00:38:02,781 --> 00:38:04,699 WHY ARE YOU APOLOGIZING? 631 00:38:04,699 --> 00:38:08,661 I TOOK RISKS WITH YOUR SAFETY. I WAS RECKLESS. 632 00:38:10,080 --> 00:38:12,331 YOU SAVED MY LIFE. 633 00:38:12,331 --> 00:38:14,709 - IF YOU HADN'T BEEN HERE-- - MY JUDGMENT WAS CLOUDED, 634 00:38:14,709 --> 00:38:17,670 AND I PUT YOU IN DANGER. 635 00:38:18,838 --> 00:38:21,549 NO. YOU SAVED DAVID. 636 00:38:22,759 --> 00:38:23,843 YOU HELPED. 637 00:38:25,428 --> 00:38:26,721 THAT'S ALL I KNOW. 638 00:38:42,946 --> 00:38:46,825 HUMAN BEINGS CAN RISE ABOVE THEIR INSTINCTS, JOE. 639 00:38:46,825 --> 00:38:48,743 THE FACT THAT YOU'RE STRUGGLING WITH YOUR CHOICES 640 00:38:48,743 --> 00:38:50,954 IS PROOF OF YOUR HUMANITY, YOUR GOODNESS. 641 00:38:52,289 --> 00:38:53,873 EXCEPT THERE IS NO STRUGGLE. 642 00:38:55,750 --> 00:38:57,335 THERE'S... THERE'S PATIENCE, 643 00:38:57,335 --> 00:39:00,337 BUT I'M RAPIDLY RUNNING OUT OF THAT. 644 00:39:00,337 --> 00:39:02,339 YOU MAY NOT BE A RELIGIOUS MAN, 645 00:39:03,508 --> 00:39:04,759 BUT YOU'RE AN INTELLIGENT ONE, 646 00:39:04,759 --> 00:39:07,220 NO, A PHILOSOPHICAL ONE. 647 00:39:07,220 --> 00:39:12,225 SOCRATES TELLS US THAT WE CANNOT BE BETTER 648 00:39:12,225 --> 00:39:14,811 THAN IN SEEKING TO BECOME BETTER. 649 00:39:14,811 --> 00:39:16,855 BUT HE ALSO TELLS US 650 00:39:18,106 --> 00:39:19,774 THAT DEATH MAY BE 651 00:39:19,774 --> 00:39:22,902 THE GREATEST OF ALL HUMAN BLESSINGS. 652 00:39:22,902 --> 00:39:24,029 JOE, DON'T. 653 00:39:24,029 --> 00:39:25,613 OH, YOU SEE THE TROUBLE IS 654 00:39:27,115 --> 00:39:28,658 I THOUGHT... [THUD] 655 00:39:28,658 --> 00:39:31,328 I WAS GONNA BE REBORN, 656 00:39:31,328 --> 00:39:32,745 THAT I COULD START A NEW, 657 00:39:32,745 --> 00:39:36,624 BUT THE REALITY IS THAT... 658 00:39:36,624 --> 00:39:40,503 I AM INEVITABLE. 659 00:39:40,503 --> 00:39:41,629 STOP, STOP! UNH! 660 00:39:41,629 --> 00:39:43,506 AAH! 661 00:39:49,679 --> 00:39:51,681 HA HA HA! 662 00:39:51,681 --> 00:39:53,266 YES! YES! 663 00:39:53,266 --> 00:39:55,060 YESSSS! 664 00:39:56,769 --> 00:39:59,064 OHH. 665 00:40:10,367 --> 00:40:12,244 OH, MY GOD. 666 00:40:15,247 --> 00:40:16,664 SHH. 667 00:40:31,429 --> 00:40:32,972 HMM, HMM. 668 00:40:58,248 --> 00:41:02,252 NO! I SHOULD ANSWER IT. HE'LL KNOW ME. HE MIGHT HANG UP ON YOU. 669 00:41:02,252 --> 00:41:04,503 - OKAY. - HELLO? 670 00:41:04,503 --> 00:41:06,047 Emma: HELLO? 671 00:41:06,047 --> 00:41:09,008 - WHO'S THIS? - CARLOS? 672 00:41:09,008 --> 00:41:10,593 IT'S EMMA. 673 00:41:10,593 --> 00:41:12,011 HOW DID YOU KNOW ABOUT THIS NUMBER? 674 00:41:12,011 --> 00:41:13,471 I FOUND IT IN THE PAPER. IT'S THE FAILSAFE. 675 00:41:13,471 --> 00:41:14,931 WHERE ARE YOU? WHO ARE YOU WITH? 676 00:41:14,931 --> 00:41:16,473 - WHO IS IT? - IT'S EMMA. 677 00:41:17,850 --> 00:41:19,518 [BEEP] CARLOS? 678 00:41:20,979 --> 00:41:23,481 EMMA, ARE YOU WITH JOE? 679 00:41:23,481 --> 00:41:24,523 WHAT? 680 00:41:25,524 --> 00:41:26,776 CARLOS... 681 00:41:28,445 --> 00:41:30,113 JOE'S DEAD. 682 00:41:31,614 --> 00:41:32,782 WAIT. CARLOS, NO! 683 00:42:08,276 --> 00:42:09,319 HEY. 684 00:42:17,285 --> 00:42:18,495 HEY. 685 00:42:19,787 --> 00:42:21,538 SHH, SHH, SHH, SHH. 686 00:42:24,667 --> 00:42:28,587 IT'S OKAY, IT'S OKAY, SWEETHEART. 687 00:42:31,049 --> 00:42:33,176 MAMA'S GONNA BE HOME SOON. 688 00:42:35,261 --> 00:42:38,097 SHE'S GONNA BE MAD.